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Matthew Anthony standing on the highway into Monument Valley

Mixing, mastering & production for dance music producers.

Estimates back within 24 hours.
Perfect Driver
@perfect_driver
Engineered to drive
House music. Extra bass.
Since 2012 · ©2026
Your audio, road-tested

Records that drive.
Mixes that hit.

For dance music producers at every level, from a first idea to a club-ready master. Mixing, mastering, production and finishing, by the ear behindPerfect Driver Music.No shortcuts.

The studioMixing · Mastering · Production · Sound design
Matthew Anthony in a Perfect Driver T-shirt
I’m a real human

Meet Matthew Anthony

Label Founder · Dance Music Producer · Audio Engineer · Music Mentor · DJProducer · Engineer · DJ

15 years producing house and tech house. 25 years behind the decks. Perfect Driver label boss since 2012.

My soundDance music is my specialty. Let’s refine your sounds so they level up to industry standard.
My ears25+ years of DJing, 500+ songs released on Perfect Driver Music and decades working inside the industry at Beatport, Plugin Boutique and Guitar Center.
Our journeyYour journey is my journey. We’ll work together until you’re happy and your projects get the attention you envision.

Get a label’s ear on your track.

Recorded notes from the guy who’s run Perfect Driver Music since 2012: is it signable, what’s holding it back, and which labels it fits. Back within 3 business days.

Artists who’ve released on Perfect Driver include John Summit, Wuki, OMNOM, Westend, DJ Susan and J. Worra.

$40per track, credited back when you book Finish my track or Mix & master within 30 days
Get demo feedback

Services & rates

Every price is per track. Custom work gets an estimate once Matt has heard your sounds.

Matt takes a nearly finished track, adds production elements, fixes problems and tweaks the arrangement, then engineers, mixes and masters it for a demo or performance.

  • 3 revisions
  • Reference track required
  • Mix + master included
  • Alt versions on request
Get an estimate

Anything from fixing parts to building a full track while you guide the session as executive producer. From an idea to something DJs want to play. Your name goes on it. Always confidential.

  • Arrangement tightened with mixable intros and outros.
  • Drums, bass and sound selection polished until they hit hard.
  • New parts written where the track needs a lift.
  • You stay the executive producer. Your name goes on it. Not mine.
  • Stems + project delivered
  • Confidential
Get an estimate

A standard mixdown of your supplied stems: balance, EQ, compression, space and low-end control, mistakes fixed, matched to your reference and mastered.

  • Kick and sub carved to work together, not fight for the same space.
  • Gain-staged, balanced and matched against your reference track.
  • Space, width and movement that give every section its own energy.
  • Tested on big, medium and small speakers, all the way down to earbuds.
  • Reference track required
  • 3 revisions
  • Alt versions on request
Get an estimate

Send a track and get recorded notes from someone who's run a label since 2012: is it signable, what's holding it back, and which labels it fits. Back within 3 business days. Book finish my track or mix & master within 30 days and the $40 comes off.

  • Recorded notes
  • Labels it fits
  • $40 back when you book
Get an estimate

Hands-on sessions in your own project: producing, DJing, engineering, mastering, Ableton, synthesis, marketing, or running a record label.

  • Screen share
  • Session recording
Get an estimate

Add a mixable intro or outro, cut the dead weight and make the track more interesting on the floor.

  • Per track
  • Fast turnaround
Get an estimate

You mixed it and you like it. Send 4–8 stem groups (drums, bass, music, vocals, FX) and Matt masters from the stems, so he can fix the kick, tame the low end or lift a vocal without touching your mix decisions.

  • Fixes a stereo master can't reach, without a full remix.
  • Club-ready loudness that keeps transients and punch intact.
  • True-peak safe for streaming services and DJ software.
  • Checked against your reference on monitors, headphones and meters.
  • Reference track required
  • 3 revisions
  • Alt versions on request
Get an estimate

Other audio work

Full podcast audio: production, editing, cleanup, mixing and mastering, delivered ready to publish.

  • Noise and room cleanup
  • Edits + mix + master
  • Delivery to spec
Get an estimate

Full-length DJ mixes built in Ableton from your tracklist: tight transitions, gain-matched and mastered as one continuous file.

  • Up to 60 min
  • Tracklist + cue sheet
Get an estimate

Custom sounds for video games, apps, film and brands: UI sounds, impacts, risers, ambiences and synth patches.

  • Game-ready files
  • Billed hourly
Get an estimate

Need something specific? Custom edits, compilations and cuts for performances, events, videos or any other project. Tell Matt what you need.

  • Any format
  • Billed hourly
Get an estimate

50% up front, 50% upon completion.* Zelle, Venmo or wire transfer.

*Under $100: paid in full up front. Rush and EP / album bundles available. USD.

Finished projects of $100+ earn Perks, up to 15% off.

TiëstoClaude VonStrokeChris LakeDiploDom DollaFatboy SlimWalker & RoyceChristian MartinAnna LunoeSacha Robotti
TiëstoClaude VonStrokeChris LakeDiploDom DollaFatboy SlimWalker & RoyceChristian MartinAnna LunoeSacha Robotti

Tastemakers who’ve
played the sounds.
Played by the
world’s biggest DJs.

The world’s biggest DJs play these records at major festivals. Your track gets built to the same standard.

Festival-tested

Low end and loudness checked against records that work on main stages.

A label’s ear

Matt has signed records since 2012. He’ll tell you what a DJ will play and what they’ll skip.

Ready to send

Finished to the standard labels and DJs expect.

How it works

1

Send it

Fill out the booking form with a link to your sounds and a reference you love.

2

Estimate

Matt listens, then confirms scope and price. No surprises later.

3

First pass

First version back in 5–7 business days, with notes on what changed and why.

4

Feedback

Timestamped notes and revision rounds, checked against the reference together.

5

Delivery

24-bit WAV, AIFF or MP3, plus instrumental, clean or extended versions on request.

File prep

Format24-bit WAV or AIFF, 44.1 or 48 kHz. No MP3s for stems.
HeadroomPeaks around −6 dBFS. Take the limiter and clipper off the master bus.
StemsEvery stem starts at bar 1 and runs the same length. Keep the effects you love printed, and send a dry version too.
NamingClear names like Kick, Sub, Bass Mid, Vox Lead, FX Riser. Include BPM and key in file names.
ReferenceOne or two released tracks that sound the way you want yours to sound.
Send viaA Dropbox, Google Drive or WeTransfer link in the form below.
Add details (optional)
or

Built in the box.

Every mix and master happens in the box. That means instant recall, fast revisions and the best processors ever made, modeled or native. Add a monitoring chain Matt knows inside out, the newest synths and the classics, and thousands of finishing tools. Your track gets all of it.

Our Tools
The labelIndependent · House & bass · Est. 2012
WukiJohn SummitDJ SusanWestendGAWPMoreliaBad Boy BillDJ GodfatherTreasure FingersJ. Worra
WukiJohn SummitDJ SusanWestendGAWPMoreliaBad Boy BillDJ GodfatherTreasure FingersJ. Worra

Our roster. Tap a name to hear them.

Perfect Driver’s music is built for BIG systems. A decade+ of basslines and still driving perfectly.

500+Tracks produced & engineered
120+Releases
180+Artists on roster

Full catalog

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FAQ

What genres does Matt work on?

Dance music in all its forms: house, tech house, bass house, deep house, techno, trance, progressive, breaks, UK garage and indie dance. Podcast engineering and sound design too.

What does "finish my track" mean, exactly?

It's for tracks that are 80% done. Matt adds missing production elements, fixes arrangement and sound problems, then engineers, mixes and masters. You get three revisions, and it comes back ready for a demo, a label pitch or your own sets.

Will anyone know Matt worked on my production?

Not unless you tell them. Production work is confidential and the track is yours, unless you want Matt credited. It's totally up to you.

Why does Matt need a reference track?

So you're both aiming at the same target. It sets expectations for loudness, low end and brightness before any work starts.

What does Matt work on?

Ableton Live, ADAM Audio 8" monitors with a subwoofer, Avantone MixCubes for the small-speaker check, and the Steven Slate VSX headphone modeling system. Every mix is also checked on earbuds, in the car and on a USB speaker.

Does Matt use presets or AI mastering?

No. Every mix and master is done by hand, by ear, and checked on visual monitors and multiple speakers.

How do I pay?

Zelle, Venmo or wire transfer. 50% up front to book, 50% upon completion. Anything under $100 is paid in full up front.

Why 50% up front and 50% on completion?

It keeps everyone invested. You know your track has Matt’s full attention, he knows the project is a go, and you both have every reason to get it finished well and on time.

Get an estimate
Engineered to drive · Working with artists worldwideOwned and run by Matthew Anthony Willems
Artist, DJ, plugin and brand names, and software shown in screenshots, belong to their owners and appear for reference only. No endorsement implied.Terms · Privacy